In the post-war Paris, a young Jewish boy whose parents were deported, met in the subway a well-off boy of the same age with whom he became friends. A second encounter with Max solitary character and rasping will mark him. With these two people the antipodes of one another he will reach adulthood.

Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

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We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.

At 53, Anémone learns that she suffers from early Alzheimer's. The life she chose, to forget the first, is about to switch ...For, almost 30 years ago, Anémone, who was then called Manon, had to leave a life of violence, leaving behind her three young children. Fortunately, Lise, a kind-hearted lady, welcomed her with open arms into her home, which at the time housed women in difficulty in the small municipality of Belleville. Under a new identity and in this other life that she was built, Anémone, now thanatopracticer, flows for happier days surrounded by her children from a second union: Karla, the eldest back home, Simon, a young father who inherited his father's renovation business, and Olivia, his adopted youngest daughter who follows in his footsteps.At the announcement of the diagnostic hereditary potential, the old life of Anémone, unknown to all his relatives, comes to haunt her again. Will she have the strength and the courage to find her first children, Caroline, Sebastien and Jean-Olivier, before completely forgetting them? What will have been the fate of these children raised by Ronald and his own mother in difficult conditions? And most importantly, how will they react the day they learn that Manon is still alive? Anémone will then have to give an account ...In addition to coping with her diagnosis, Anémone meets the new director of the funeral home for which she works, Vincent, a mysterious man who observes relentlessly and with whom she will develop a troubling relationship. But what is Vincent looking for? Would he hide, too ... Another story?

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

Léa, 28, is one of France's first female rabbis: frail shoulders, great responsibilities as she has to find answers in the labyrinth of small and big questions in people's lives. But how can she be a guide for others when she herself is grappling with the fundamentals of love, family and the millennial's quest for meaning?